Tuesday, November 13, 2007
Move for me
Move for me. This is my first commandment. How beauty acts upon the stage is as important to me as the beauty itself. I recall a photographer whose work I admire and what he wrote in regards to his uneasiness regarding nude photography. John Dietrich writes: “I have always been intoxicated by female beauty in all its guises, I have never felt mature enough to tackle the nude. Metaphorically, I always preferred to stay in the wardrobe watching aunt squeeze into her girdle. To me, the nude is as uninteresting and inaccessible as the woman sealed from head to toe in rubber. My pleasure in photographing the female form is to enhance rather than expose; more unreal than real, implicit rather than explicit, a preference for the Rubenesque over the emaciated or silicon-desecrated.” Were it so easy for me. My aesthetic view was similar to this when I first began photographing models full-time in 2004. A woman in beautiful attire would have sufficed. The rituals of fashion and cosmetics made for interesting subject matter. The flow of an outfit created a snapshot worthy of posterity. The classic contours of a made-up face created an equally memorable image. Ultimately, though, such imagery represents the still-life I spoke of. It doesn’t speak to me. It sells a product. John Dietrich’s usage of the word “inaccessible” is the key. The gorgeous woman dressed to the nines is inaccessible. The spiritual figure nude is inaccessible. I need my subject to be accessible. This is accomplished first through movement and then by the subject bringing her personality to the session. Am I asking for too much from the model? Am I an exploiter? To argue that I’m a bit of a voyeur wouldn’t be much of a stretch. I would argue that for me to achieve my vision, I need to expose either the subject’s insecurities in front of my lens. I have been playing a bit of a game in an on line professional forum for photographers and models of late. I’ve been exposing my insecurities and offering up my work for criticism in hopes to create a mission statement for my photography. Photography, as much as many other art mediums, can be quite varied in its interpretations. A mission statement done properly exposes my motivation and insecurities for all to see. This is terrifying. It provides a glimpse of what’s real, and reality is a tough taskmaster.
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